The Meg

In The Meg, a group of scientists exploring the Marianas Trench encounter the largest marine predator that has ever existed – the Megalodon. With time running out, rescue diver Jonas Taylor (Jason Statham) must save the crew of a deep-sea submersible from the colossal 75-foot-long prehistoric shark.

The Image Engine team enhanced 147 shots across 10 sequences, which included a submarine launch and look development on the nautical depths witnessed beyond the submersible’s viewports.

Release date: August 10, 2018

Production VFX Supervisor: Adrian De Wet

Production VFX Producer: Steve Garrad

Image Engine VFX Supervisor: Martyn Culpitt

Image Engine VFX Producer: Ana Ramos

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VFX BREAKDOWN REEL

CASE STUDY

The Meg Case Study

Jaws has long reigned as royalty in the fathomless oceans of cinema. But even Spielberg’s iconic great white has nothing on the 70ft Megalodon striking thalassophobia into the hearts of the public in Warner Bros.’ The Meg.

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VFX BEFORE & AFTER STILLS



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